otariidae

My procedure performed with all steps noted is as follows: Ensure the secondary colour that you have selected does not have an RGB value of 255 255 255. The alpha value is not important at this stage. Select an area with rectangle, lasso, or ellipse tool. Move the selected area with the "Move Selected Pixels tool" (dark cursor) tool. Press enter to resolve the movement. Use the magic wand tool and select an area that wasn't selected. This should highlight the affected area with a contrary colour. Sample an area where the selected area was previously at before moving with the eyedropper tool. The result should end up being the RGB value of whatever the secondary colour is, with the alpha set to 0. These steps are performed entirely on one layer. In the diagram, the mouse head has been moved outside of the diagram in the second panel. What I am selecting is the background area, and the unselected part is where the mouse head was previously. Sampling the unselected area with the eyedropper tool results in the differing RGB value. Here's a more clear visual explanation on what has occured. The Primary colour in this screenshot was obtained by sampling the unselected patch on the left.

First of all, thank you greatly for the update that enabled me to use the latest versions. The previously added functionality changes that I couldn't experience previously such as the drag selection of the paint bucket tool and magic wand tool have been great. With that out of the way, I'd like to discuss a small issue. The default RGBA applied upon deletion is 255 255 255 0 whereas the default RGBA of moving a selected area is my selected secondary colour with the A set to 0. This results in "ghosting" when I move my selected area. Here's a diagram for what I'm talking about.

Thank you very much for bringing back precision to aliased brushes.

Thanks for the comprehensive explanation.

Yeah, I use an entirely unfiltered brush for my drawings. It's simultaneously a decision to assist my editing workflow and an aesthetic preference. A largely sized brush with precision is mainly important to me for erasing and merging line brushstrokes.

When it comes to drawing, I need the pixel-perfect precision of the old brush behavior to get the desired results I want. Please bring back the old brush behavior.